Michael-Georg Müller, Westfälische Rundschau vom 06.29.2003
Another discovery: Pieter Roux, as Pinkerton.The South-African singer has a radiant, metallic-tenor voice of the finest quality, but also has lyrical bows and belongs to the future-hopes of the Wuppertal Operahouse, which is worth a visit again!

Stefan Keim, Westfalenpost vom 06.30.2003
A wonderful lyrical tenor, more "Belcanto" sounding, than heavy italian, is Pieter Roux as Pinkerton. It does this evel character good to be sung in such a sensitive way.

Michael Stenger, Westdeutsche Allgemeine Zeitung vom 05.28.2002
Pieter Roux sang the painter Cavaradossi. He lets the stars shine with true, radiant high-notes. His tenor-voice is room-filling.

Hartmut Sassenhausen, Westdeutsche Zeitung of 09.07.2002
Pieter Roux sang, as already with the opening-night, a brilliant Cavaradossi.With his in all facets flexable and expressive voice, he leaves no more wishes open for the aria "E lucevan le stelle".

Rainer Köhl, Echo Online 01.10.2002 (Heidelberger)
Pieter Roux has sung a fighting Cavaradossi, with beautiful, focussed tenor-substance.

Hartmut Sassenhausen, Westdeutsche Zeitung 03.17.2003
Frenetically (madly) celebrated star of the evening was the tenor Pieter Roux, a member of the Wuppertal Opera-company. In italian Belcanto-way, he sang the evergreen "Nessun dorma" from Puccini's opera "Turandot" at best and turned the hall into a madhouse.An encore-piece was not planned, so the hit was repeated to a totally enthusiastic audience..

Frank Scurla, Westdeutsche Zeitung of 05.03.2003
Pieter Roux has torn the audience away with his penetrating, powerful tenor-voice in the style of Richard Tauber.

Hartmut Sassenhausen, Westdeutsche Zeitung of 05.15.2003
... and Pieter Roux, with his radiant tenor-voice, delivered with the "Chorus Mysticus" from Goethe's Faust II, a full-sounding Finale, which was celebrated greatfully by the audience.